Sorry for the layoff. Was recovering from the annual crippling depression incurred by “BoJack Horseman,” Netflix’s greatest show.
Comedy compliments drama and animation is a comfort zone for many. BoJack Horseman takes advantage of this comfort. The show is a comedy, and has some of the funniest gags around, but it comes with a blistering caveat – the show’s relentless dread.
It’s no mystery to my friends and family that I love this show, but it’s a tough sell. No one I know (away from the internet of course) likes this show. They either haven’t seen it, or couldn’t get into it. The complex weaving in between emotions is often jarring, but to me, it feels all too real.
Show-runner Raphael Bob Waksberg and his team have created their opus with season four and five. They never let loose their grip on these complex themes as they introduce ideas of nuance and compliment it with beautiful animation and a hysterical variety of jokes ranging from puns to callbacks.
There are so many great video essays of this show on Youtube though, and I’m not going to be able to add much more to the discussion. I don’t want to dive too much into the show’s philosophies, but I do want to talk about Season 5, specifically the subplot of BoJack starring in a new show.